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Captioning Made Possible By

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THE METROPOLITAN
LIFE INSURANCE COMPANY

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NO MATTER HOW LONG
YOU STARE AT THEM

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THEY WON'T GO AWAY.

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RUDY!

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I HATE BRUSSELS SPROUTS.

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YOU HAVEN'T EVEN
TASTED THEM.

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I DON'T LIKE
HOW THEY LOOK.

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ARE YOU GOING DANCING
WITH ME TONIGHT?

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YES.

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DRESSED LIKE THAT?

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ARE YOU GOING DRESSED LIKE THAT?

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HEY, I'M ALMOST DRESSED.

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ALL I NEED IS A SHIRT AND TIE.

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YOU'RE THE ONE WHO NEEDS
URBAN RENEWAL.

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DON'T WORRY, I'LL BE READY.

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LOOK, RALPH AND MARIE
ARE COMING HERE TONIGHT.

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I WILL BE READY.

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OKAY, BECAUSE TONIGHT
I'M GOING DANCING WITH MY WIFE.

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YOU REALLY THINK YOU'RE
SMOOTH, DON'T YOU?

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HEY, I WAS BORN
WAY BEFORE WHIPPED CREAM.

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THEY INVENTED
THE SPOTLIGHT FOR ME.

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CLIFF, I DON'T MEAN
TO HURT YOUR FEELINGS

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BUT, HONEY, YOU CANNOT DANCE.

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CLIFF, THIS IS YOU, OKAY?

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THIS IS NOT MY IDEA
OF GREAT DANCING.

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THAT'S HOW I LOOK?

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EXACTLY.

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WELL, WHY IS IT THAT PEOPLE
STOP, STAND BACK AND WATCH?

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BECAUSE YOU ARE ALSO DOING THIS.

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BUT I AM A GOOD DANCER.

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DANCING WITH YOU IS LIKE
A PROFESSIONAL WRESTLING MATCH.

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IT IS GRAB, SNATCH, JERK, FLING
AND FLY ACROSS THE DANCE FLOOR.

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NO.

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I BETTER GET DRESSED.

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DON'T LET RUDY LEAVE
UNTIL SHE'S CLEANED HER PLATE.

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I'M NOT
EATING THEM.

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ALL RIGHT.
THEN JUST SIT HERE.

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FOR HOW LONG?

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FOR HOW LONG?

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UNTIL YOU EAT THEM.

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ALL I CAN SAY IS

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I REMEMBER A LITTLE GIRL
WHO WOULDN'T EAT HER VEGETABLES.

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SO HER PARENTS SAID:

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"YOU'RE GOING TO SIT THERE
UNTIL YOU EAT THEM."

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AND SHE SAW
HER FRIENDS GROWING UP.

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PEOPLE WERE GOING TO COLLEGE.

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SHE WAS STILL SITTING THERE--

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IN THE SAME CLOTHES SHE HAD ON
WHEN SHE WAS FIVE YEARS OLD.

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NOW ARE YOU GOING TO EAT THEM?

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NO.

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ALL RIGHT,
THEN JUST SIT THERE.

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AND DON'T
TRY TO HIDE THEM

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BECAUSE IF YOU TRY TO HIDE THEM,
I'M COMING BACK TO...

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CHECK MY TEETH.

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RIGHT.

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HI.

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HI.

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THEO, CAN I PLEASE
BORROW $15?

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FROM WHOM?

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YOU.

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I WORK FOR MY MONEY.

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YOU GET AN ALLOWANCE.

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GETTING AN ALLOWANCE
FROM DAD IS HARD WORK.

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I'M DESPERATE.

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I WANT TICKETS TO THE
"WALKING LEMONS" CONCERT.

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THEY'RE SOLD OUT.

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THEY ADDED ANOTHER PERFORMANCE.

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I'M GETTING IN LINE TONIGHT
TO BUY TICKETS TOMORROW MORNING.

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MOM AND DAD WILL NOT LET YOU

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SLEEP OUTSIDE
ON THE SIDEWALK OVERNIGHT.

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WELL, I'LL GET THEM TOGETHER,
PRESENT MY CASE

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AND WHEN DAD SAYS NO,
I'LL MENTION THE TIME

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HE SLEPT OUTSIDE YANKEE STADIUM
FOR WORLD SERIES TICKETS.

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IT WAS CONNIE MACK STADIUM
IN PHILADELPHIA.

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PLEASE LEND ME $15?

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HEY, IF DAD SAYS YES,
I'LL GIVE YOU $500.

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YOU DON'T HAVE $500.

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DO I LOOK WORRIED?

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DAD WILL SAY YES.

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HE'LL GO FOR IT,
YOU'LL SEE.

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HI, DAD.

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HEY, DENISE.

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GOSH, YOU LOOK GREAT.

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WELL, THANK YOU.

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IN FACT,
YOU'VE NEVER LOOKED BETTER.

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WHAT DO YOU WANT?

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I'LL WAIT FOR MOM.

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IT'S THAT BIG, HUH?

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IT'S NOT THAT BIG.

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IT'S EASIER TO ASK
YOU TWO TOGETHER.

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AND YOU'RE EXPECTING ME
TO SAY NO.

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THAT'S NOT TRUE.

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COME HERE, DENISE.

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ME?

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YES, YOU.

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( ring )

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STAY RIGHT THERE.

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HUXTABLE RESIDENCE,
THIS IS DR. HUXTABLE.

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HI, MRS. DAVIS...

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REALLY?

102
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YOU DON'T FEEL WELL.

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NO, IT'S ALL RIGHT.
I CAN GET ANOTHER BABY SITTER.

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DON'T WORRY, YOU GET YOURSELF
DOWN AND DRINK FLUIDS

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BECAUSE THIS THING
IS GOING AROUND.

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I'LL GET ANOTHER BABY SITTER.
BYE-BYE.

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DON'T LOOK AT ME.

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OKAY.

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DADDY...

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DADDY,
I HAVE PLANS.

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I CAN'T
BABY-SIT TONIGHT.

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WELL...

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YOUR MOTHER AND I HAVE PLANS.

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IT'S EITHER YOU OR US,
AND I KNOW IT ISN'T US.

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HOW ABOUT THEO?

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THEO?

117
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YOUR SON.

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DO YOU THINK THEO COULD DO THIS?

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HE'D BE TERRIFIC.

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YOU LIE.

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I THINK HE WOULD BE REALLY GOOD.

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WILL YOU TAKE THE
RESPONSIBILITY?

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YEAH.

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OKAY, WHAT CAN I LOSE--
A HOUSE, A COUPLE OF KIDS?

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( knocking )

126
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COME IN.

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HEY, DAD.

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HI, SON.

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I DON'T KNOW WHAT IT IS, DAD.

130
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BUT I CAN'T THROW IT AWAY
UNTIL I FIND OUT.

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WHAT DID I DO?

132
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MRS. DAVIS.

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MRS. DAVIS?

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YES.

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MRS. DAVIS
CANNOT BABY-SIT TONIGHT.

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YOUR SISTER HAS PLANS,
SO YOU'RE NEXT IN LINE.

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ME?

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YES, CONGRATULATIONS.

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DAD, I CAN'T.

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WHY?

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IT'S A GIRL'S JOB.

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A GIRL'S JOB?

143
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NOBODY EVER ASKED DENISE
TO SHOVEL THE SIDEWALK.

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GOOD POINT.

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I'M OFF THE HOOK?

146
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NO, BUT THE NEXT SNOWSTORM,
DENISE IS SHOVELING.

147
00:08:07,254 --> 00:08:10,858
DAD, I REALLY THINK
YOU'RE MAKING A BIG MISTAKE.

148
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I'M IRRESPONSIBLE.

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IT TAKES A BIG MAN
TO ADMIT THAT HE HAS A PROBLEM.

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IT TAKES A BIG MAN
TO TRY TO SOLVE THAT PROBLEM.

151
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AND I'M OFFERING YOU

152
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THAT OPPORTUNITY.

153
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I GUESS I HAVE TO TAKE IT,
DON'T I?

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A BIG MAN WOULD

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IF A BIGGER MAN
WAS STANDING NEXT TO HIM.

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DAD, I'LL ACCEPT
THE CHALLENGE.

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I'M PROUD OF YOU.

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HOW MUCH
DOES IT PAY?

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SIT DOWN, SON.

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YOU KNOW, SON,
A LONG, LONG TIME AGO

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THREE OR FOUR
GENERATIONS AGO

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PARENTS DIDN'T TALK MUCH
TO THEIR CHILDREN.

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THE FATHER WOULD COME IN,
LOOK AT HIS SON SLEEPING

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AROUND 4:00 IN THE MORNING.

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HE WOULD SHAKE THE BOY AND SAY,
"GO OUT AND PLOW THE FIELD NOW."

166
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THE BOY WOULD WIPE HIS EYES
AND SAY, "YES, PA."

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HE WOULD GO OUT AND DO IT.

168
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AND OCCASIONALLY

169
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THE BOY SAID:

170
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"HOW MUCH
DO I GET PAID?"

171
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AND HIS PA WOULD GET THE PLOW
AND RUN OVER HIS SON.

172
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THOSE DAYS ARE GONE NOW, SON

173
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BECAUSE WE'VE BECOME MORE
CIVILIZED, MORE SOPHISTICATED.

174
00:10:01,234 --> 00:10:05,839
BUT STILL INSIDE OF ME,
NO MATTER HOW SOPHISTICATED I AM

175
00:10:05,939 --> 00:10:08,108
EVERY ONCE IN A WHILE

176
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WHEN I TELL ONE OF MY CHILDREN
TO DO SOMETHING

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AND THEY ASK ME
HOW MUCH THEY'LL GET PAID

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THAT THING SORT OF
BUILDS UP AGAIN.

179
00:10:19,319 --> 00:10:22,656
WHEN I TELL YOU TO DO SOMETHING

180
00:10:22,756 --> 00:10:27,728
AND YOU ASK ME HOW MUCH
YOU'RE GOING TO GET PAID

181
00:10:27,828 --> 00:10:30,964
I THINK I'M GOING TO BUY A PLOW.

182
00:10:32,966 --> 00:10:34,367
YES, PA.

183
00:10:44,878 --> 00:10:47,414
WELL, NO, JEANETTE, I HAVEN'T
ASKED MY PARENTS YET.

184
00:10:47,514 --> 00:10:49,983
BECAUSE I HAVE TO
GET THEM TOGETHER.

185
00:10:50,083 --> 00:10:51,885
YEAH.

186
00:10:51,985 --> 00:10:52,820
I'VE GOT TO GO.

187
00:10:52,920 --> 00:10:54,187
I'LL SEE YOU
IN TEN MINUTES.

188
00:10:55,756 --> 00:10:57,725
YOUR FIRST RESPONSIBILITY:

189
00:10:57,825 --> 00:11:02,395
GO IN THERE AND MAKE RUDY
EAT THE BRUSSELS SPROUTS, OKAY?

190
00:11:02,495 --> 00:11:04,898
SURE. THEN WHAT
SHOULD I DO?

191
00:11:04,998 --> 00:11:07,100
BY THEN WE'LL BE BACK
FROM THE DANCE.

192
00:11:10,003 --> 00:11:16,143
DENISE, SOME TIME AGO
YOU WANTED TO ASK A QUESTION.

193
00:11:16,243 --> 00:11:18,578
I WANTED TO ASK YOU AND MOM.

194
00:11:18,678 --> 00:11:21,581
MOM IS UPSTAIRS GETTING DRESSED.

195
00:11:21,681 --> 00:11:22,549
WE'RE GOING OUT.

196
00:11:22,649 --> 00:11:23,851
NOW WHAT IS IT?

197
00:11:23,951 --> 00:11:26,286
PROMISE YOU'LL BE OPEN-MINDED?

198
00:11:26,386 --> 00:11:28,388
MY MIND IS OPEN.

199
00:11:28,488 --> 00:11:31,524
EVEN IF IT'S SOMETHING KIDS
DIDN'T DO IN YOUR GENERATION?

200
00:11:31,624 --> 00:11:34,594
EVEN IF IT'S NOT
OF MY GENERATION.

201
00:11:34,694 --> 00:11:39,166
OKAY. I'D LIKE PERMISSION
TO SLEEP AWAY FROM HOME TONIGHT.

202
00:11:39,266 --> 00:11:40,968
AT A FRIEND'S HOUSE?

203
00:11:41,068 --> 00:11:42,102
NO.

204
00:11:42,202 --> 00:11:45,072
ARE YOU SLEEPING
AT A STRANGER'S HOUSE?

205
00:11:45,172 --> 00:11:46,306
NO.

206
00:11:46,406 --> 00:11:48,441
WHERE ARE YOU SLEEPING?

207
00:11:48,541 --> 00:11:50,978
ON 32nd STREET.

208
00:11:54,181 --> 00:11:56,449
ON 32nd STREET, HUH?

209
00:11:56,549 --> 00:11:57,450
WHERE?

210
00:11:57,550 --> 00:12:00,387
ON 32nd STREET ITSELF.

211
00:12:01,221 --> 00:12:03,456
HAVE YOU VOLUNTEERED
TO BE A POTHOLE?

212
00:12:05,993 --> 00:12:07,660
NO, DADDY, SEE

213
00:12:07,761 --> 00:12:10,097
THE "WALKING LEMONS"
ARE GIVING A CONCERT.

214
00:12:10,197 --> 00:12:11,398
"WALKING LEMONS"?

215
00:12:12,432 --> 00:12:13,733
TICKET SALES START TOMORROW.

216
00:12:13,834 --> 00:12:16,036
PEOPLE ARE LINING UP TONIGHT.

217
00:12:16,403 --> 00:12:17,971
EVERYONE WILL
BE THERE.

218
00:12:18,071 --> 00:12:19,807
I WON'T DO ANYTHING WRONG.

219
00:12:19,907 --> 00:12:21,775
I KNOW,
BECAUSE YOU'RE NOT GOING.

220
00:12:22,742 --> 00:12:25,512
YOU DID SOMETHING
JUST LIKE THIS ONCE.

221
00:12:25,612 --> 00:12:26,613
NEVER.

222
00:12:26,713 --> 00:12:28,715
WHAT ABOUT
THE WORLD SERIES?

223
00:12:28,816 --> 00:12:30,417
WHAT ABOUT
THE WORLD SERIES?

224
00:12:30,517 --> 00:12:33,586
THE TIME YOU SLEPT OUTSIDE
CONNIE FRANCIS STADIUM?

225
00:12:36,056 --> 00:12:36,756
WHAT?

226
00:12:39,359 --> 00:12:41,661
IT'S CONNIE MACK STADIUM.

227
00:12:42,029 --> 00:12:43,763
THIS IS THE SAME THING.

228
00:12:43,864 --> 00:12:45,398
IT'S NOT THE SAME THING.

229
00:12:46,599 --> 00:12:48,268
MY FATHER MADE ME GO.

230
00:12:48,368 --> 00:12:50,838
I WOULD HAVE LISTENED
TO IT ON THE RADIO.

231
00:12:50,938 --> 00:12:53,673
YEAH, BUT YOU WERE GLAD
FOR THE EXPERIENCE, RIGHT?

232
00:12:53,773 --> 00:12:55,909
WE WENT TO CONNIE MACK STADIUM

233
00:12:56,009 --> 00:13:00,447
STOOD IN LINE BEHIND
MAYBE ABOUT 100 PEOPLE.

234
00:13:00,547 --> 00:13:02,883
AND THE RAIN STARTED
TO POUR DOWN.

235
00:13:02,983 --> 00:13:05,585
I PUT A NEWSPAPER OVER MY HEAD.

236
00:13:05,685 --> 00:13:09,222
WATER WAS COMING DOWN
IN DROPS THIS BIG.

237
00:13:11,658 --> 00:13:12,425
LOOK AT MY FOREHEAD.

238
00:13:12,525 --> 00:13:15,695
YOU CAN SEE WHERE THE INK...

239
00:13:15,795 --> 00:13:18,765
SEE WHERE THE INK
HAS PRESSED IN?

240
00:13:18,866 --> 00:13:20,868
AND THAT'S WHY,
ON MY FOREHEAD--

241
00:13:20,968 --> 00:13:22,235
CAN YOU STILL SEE IT?

242
00:13:22,836 --> 00:13:24,571
THAT'S WHY
THEY CALL IT "HEADLINES."

243
00:13:28,341 --> 00:13:32,179
AND ANIMALS WERE LINING UP
BEHIND US TWO BY TWO.

244
00:13:32,279 --> 00:13:33,380
IT WAS TERRIBLE.

245
00:13:34,948 --> 00:13:36,083
IT'S IMPORTANT TO ME.

246
00:13:37,284 --> 00:13:38,251
I LOVE YOU.

247
00:13:38,351 --> 00:13:39,086
YOU'RE NOT GOING.

248
00:13:39,252 --> 00:13:41,021
WHAT ABOUT YOUR OPEN MIND?

249
00:13:41,121 --> 00:13:43,590
32nd STREET CLOSED IT UP, DEAR.

250
00:13:51,064 --> 00:13:52,132
Vanessa:
THEO'S BABY-SITTING?

251
00:13:52,232 --> 00:13:53,533
THAT'S RIGHT.

252
00:13:53,633 --> 00:13:55,435
WELL, WHAT IF
THE HOUSE CATCHES FIRE?

253
00:13:55,535 --> 00:13:58,838
THEN THEO WILL CALL
THE FIRE DEPARTMENT.

254
00:13:58,939 --> 00:14:01,174
WELL, WHAT IF
BURGLARS BREAK IN?

255
00:14:01,274 --> 00:14:04,011
THEN THEO WILL UNARM THEM.

256
00:14:04,544 --> 00:14:05,946
WELL, WHAT IF
THEY KNOW KARATE?

257
00:14:06,046 --> 00:14:09,249
THEN THEO WILL DIE.

258
00:14:09,349 --> 00:14:11,584
AND YOU WILL TAKE OVER.

259
00:14:11,684 --> 00:14:12,385
DAD...

260
00:14:12,485 --> 00:14:14,154
LISTEN TO ME CAREFULLY.

261
00:14:14,254 --> 00:14:16,456
YOUR BROTHER IS CAPABLE

262
00:14:16,556 --> 00:14:20,160
OF TAKING CARE OF ANY
SITUATION THAT ARISES.

263
00:14:20,260 --> 00:14:22,295
I HAVE A PROBLEM.

264
00:14:22,395 --> 00:14:25,198
( chuckling )

265
00:14:25,298 --> 00:14:26,599
RUDY WON'T EAT
HER BRUSSELS SPROUTS.

266
00:14:27,667 --> 00:14:31,204
YOU EAT ONE, SHOW HER
THAT YOU'RE DOING IT

267
00:14:31,304 --> 00:14:32,639
THEN SHE'LL EAT ONE.

268
00:14:32,739 --> 00:14:34,574
I HATE BRUSSELS SPROUTS.

269
00:14:34,674 --> 00:14:36,609
THEN YOU HAVE TO OUTSMART HER.

270
00:14:36,709 --> 00:14:38,011
HOW?

271
00:14:38,111 --> 00:14:40,813
TELL HER SHE'S THE BIG BAD WOLF

272
00:14:40,914 --> 00:14:43,483
AND THE BRUSSELS SPROUTS
ARE THE THREE LITTLE PIGS.

273
00:14:44,184 --> 00:14:46,119
SHE WON'T FALL FOR THAT.

274
00:14:46,219 --> 00:14:47,354
YOU DID.

275
00:14:48,721 --> 00:14:49,889
I'LL GIVE IT A TRY.

276
00:14:51,992 --> 00:14:55,562
YOUR FATHER TOLD
ME WHAT YOU WANTED
TO DO TONIGHT.

277
00:14:55,662 --> 00:14:57,664
HE PRESENTED
YOUR CASE FAIRLY.

278
00:14:57,764 --> 00:14:58,966
HE INCLUDED
ALL THE FACTS

279
00:14:59,066 --> 00:15:01,168
GAVE A PLEA FOR
TEENAGERS' RIGHTS--

280
00:15:01,268 --> 00:15:03,603
HE MADE IT DIFFICULT
TO SAY NO.

281
00:15:03,703 --> 00:15:04,737
BUT YOU DID.

282
00:15:04,837 --> 00:15:06,406
ABSOLUTELY!

283
00:15:06,506 --> 00:15:07,574
DID YOU THINK

284
00:15:07,674 --> 00:15:10,577
WE WOULD LET YOU SLEEP
ON THE STREET OVERNIGHT?

285
00:15:10,677 --> 00:15:11,478
WELL...

286
00:15:11,578 --> 00:15:12,079
WELL...

287
00:15:12,679 --> 00:15:14,081
I THOUGHT
I HAD A CHANCE

288
00:15:14,181 --> 00:15:15,983
UNTIL I MENTIONED
THE WORLD SERIES.

289
00:15:18,118 --> 00:15:20,253
THAT HAPPENS TO ME
IN COURT A LOT.

290
00:15:20,353 --> 00:15:22,655
I COME TO WHAT I THINK
IS THE MAIN ISSUE--

291
00:15:22,755 --> 00:15:25,858
THE JURY LOOKS AT ME LIKE, "SO?"

292
00:15:27,427 --> 00:15:29,629
DID GRANDPA REALLY MAKE
DADDY STAND OUT IN THE RAIN?

293
00:15:29,729 --> 00:15:33,200
YES. THEY DID A LOT
OF CRAZY THINGS TOGETHER.

294
00:15:33,700 --> 00:15:35,368
WE SHOULD DO
MORE THINGS TOGETHER.

295
00:15:35,468 --> 00:15:37,037
GREAT. ALL RIGHT.

296
00:15:37,137 --> 00:15:37,870
WHAT WOULD YOU
LIKE TO DO?

297
00:15:37,971 --> 00:15:41,041
WELL...

298
00:15:41,141 --> 00:15:43,643
WOULD YOU SLEEP OUTSIDE
ON THE SIDEWALK WITH ME?

299
00:15:46,980 --> 00:15:48,715
OKAY.

300
00:15:49,549 --> 00:15:50,417
REALLY?

301
00:15:50,517 --> 00:15:53,220
YEAH. I'LL TAKE YOUR
DAD, RALPH, MARIE

302
00:15:53,320 --> 00:15:54,654
AND THE GOOD SHEETS.

303
00:15:56,289 --> 00:15:57,324
YOU WOULD DO THAT?

304
00:15:57,424 --> 00:15:58,725
NO.

305
00:16:01,561 --> 00:16:11,571
(* be-bop on the stereo )

306
00:16:11,604 --> 00:16:17,710
(* be-bop on the stereo )

307
00:16:23,783 --> 00:16:26,119
DADDY, JUST DO ME ONE FAVOR?

308
00:16:26,219 --> 00:16:29,189
WHEN MY FRIENDS COME OVER,
DON'T DO THAT.

309
00:16:29,722 --> 00:16:31,524
YOU HAVE SOMETHING AGAINST
MY DANCING?

310
00:16:31,624 --> 00:16:32,725
IT'S EMBARRASSING.

311
00:16:34,561 --> 00:16:36,196
HAVE YOU EVER WATCHED
YOURSELF DANCE?

312
00:16:36,863 --> 00:16:37,830
YOU JUST DON'T
APPRECIATE

313
00:16:37,930 --> 00:16:39,632
HOW FAR
DANCE HAS COME.

314
00:16:40,767 --> 00:16:42,369
"HOW FAR DANCE HAS COME."

315
00:16:42,469 --> 00:16:43,603
HOW FAR IT'S COME?

316
00:16:43,703 --> 00:16:47,107
YOU TAKE SOME CARDBOARD,
THROW IT ON THE SIDEWALK

317
00:16:47,207 --> 00:16:50,143
SPIN ON YOUR HEAD,
NECK, EARS AND THROAT

318
00:16:50,243 --> 00:16:51,778
AND THEN PEOPLE THROW MONEY?

319
00:16:53,180 --> 00:16:55,048
PEOPLE DOING ALL THAT--

320
00:16:55,148 --> 00:16:57,684
THERE WAS A COMEDIAN
ON TELEVISION-- NIPSEY RUSSELL--

321
00:16:57,784 --> 00:17:00,787
SAID IN HIS DAY,
IT WAS CALLED HAVING A FIT.

322
00:17:02,422 --> 00:17:03,556
( ring )

323
00:17:05,525 --> 00:17:07,227
HELLO.

324
00:17:07,327 --> 00:17:09,695
OH, HOLD ON, PLEASE.

325
00:17:09,796 --> 00:17:10,730
IT'S FOR YOU.

326
00:17:10,829 --> 00:17:12,165
SAY YOU'RE SORRY.

327
00:17:12,265 --> 00:17:12,699
SORRY.

328
00:17:12,799 --> 00:17:15,202
NO, NOT IN THERE.

329
00:17:15,301 --> 00:17:16,836
HELLO.

330
00:17:16,935 --> 00:17:19,472
HEY, PAT, HOW YOU DOING?

331
00:17:19,571 --> 00:17:22,175
YEAH, I HAVE HER CHART
IN MY OFFICE.

332
00:17:22,275 --> 00:17:24,310
NO, I'LL RUN DOWN
AND GET IT

333
00:17:24,411 --> 00:17:27,046
AND READ IT OFF
TO YOU, OKAY?

334
00:17:27,146 --> 00:17:28,581
FINE. NO PROBLEM.

335
00:17:28,681 --> 00:17:29,616
THANK YOU.

336
00:17:31,851 --> 00:17:33,753
PARDON ME.

337
00:17:33,853 --> 00:17:35,054
STOP.

338
00:17:35,522 --> 00:17:36,823
( doorbell )

339
00:17:41,461 --> 00:17:43,096
HEY. WHAT'S
UP THERE?

340
00:17:43,196 --> 00:17:45,064
HEY,
HOW'S IT GOING?

341
00:17:45,165 --> 00:17:47,300
DAD WON'T LET ME
GO TONIGHT.

342
00:17:47,400 --> 00:17:48,468
I CAN'T GO, EITHER.

343
00:17:48,568 --> 00:17:50,570
MY PARENTS
ALMOST KILLED ME.

344
00:17:50,670 --> 00:17:51,704
HOW WILL WE GET TICKETS?

345
00:17:52,172 --> 00:17:54,474
EVERYONE'S GIVING
MONEY TO LIZARD.

346
00:17:54,574 --> 00:17:55,575
HE'S BUYING THEM.

347
00:17:55,675 --> 00:17:56,576
AHH.

348
00:17:56,676 --> 00:17:57,577
WHAT'S GOING ON TONIGHT?

349
00:17:58,945 --> 00:18:00,147
WE CAN HANG OUT HERE.

350
00:18:00,413 --> 00:18:02,115
HEY,
SOUNDS GREAT.

351
00:18:03,015 --> 00:18:04,551
WE GOT SOME NEW STEPS
TO SHOW YOU.

352
00:18:04,651 --> 00:18:06,153
ARE THEY REALLY FRESH?

353
00:18:06,253 --> 00:18:07,320
ABSOLUTELY.

354
00:18:07,420 --> 00:18:09,122
I'LL SHOW DAD.

355
00:18:09,222 --> 00:18:10,190
IS THERE ENOUGH ROOM HERE?

356
00:18:10,290 --> 00:18:12,859
COULD WE MOVE
THE FURNITURE?

357
00:18:12,959 --> 00:18:14,861
I'LL GET MY BROTHER TO HELP.

358
00:18:14,961 --> 00:18:16,129
GREAT.

359
00:18:17,530 --> 00:18:20,567
OKAY. PRETEND
YOU'RE KING KONG

360
00:18:20,667 --> 00:18:22,202
AND THOSE ARE
THE THREE STOOGES.

361
00:18:22,302 --> 00:18:23,303
NO.

362
00:18:24,237 --> 00:18:26,173
WILL YOU HELP
MOVE THE FURNITURE?

363
00:18:26,273 --> 00:18:26,873
HOW COME?

364
00:18:26,973 --> 00:18:28,308
MY FRIENDS WANT TO DANCE.

365
00:18:28,408 --> 00:18:30,210
CAN I WATCH?

366
00:18:30,310 --> 00:18:32,312
ONLY IF YOU EAT
YOUR BRUSSELS SPROUTS.

367
00:18:38,451 --> 00:18:39,386
ARE WE READY?

368
00:18:39,486 --> 00:18:40,052
WE'RE READY.

369
00:18:40,153 --> 00:18:41,854
LET'S DO IT.

370
00:18:41,954 --> 00:18:45,592
(* funk on a tape player )

371
00:20:25,892 --> 00:20:26,793
( doorbell )

372
00:20:46,212 --> 00:20:47,246
HOW YOU DOING?

373
00:20:47,347 --> 00:20:48,548
WE DON'T HAVE
TO GO OUT.

374
00:20:48,648 --> 00:20:50,550
A BETTER PARTY'S
GOING ON HERE.

375
00:20:50,650 --> 00:20:52,719
Cliff:
HA, HA,
HA, HA.

376
00:20:52,819 --> 00:20:54,020
YEAH.

377
00:20:54,120 --> 00:20:55,688
( music stops )

378
00:20:55,788 --> 00:20:57,624
ALL RIGHT.

379
00:21:04,631 --> 00:21:06,899
DENISE INVITED SOME OF
HER YOUNG FRIENDS OVER

380
00:21:06,999 --> 00:21:09,001
TO TEAR OUR HOUSE UP.

381
00:21:09,702 --> 00:21:11,070
WE WEREN'T BAD,
WERE WE?

382
00:21:11,170 --> 00:21:14,240
NOT BAD, BUT YOU WANT
TO SEE REAL DANCING--

383
00:21:14,341 --> 00:21:16,075
RALPH AND MARIE

384
00:21:16,175 --> 00:21:18,345
WHY DON'T YOU SHOW
THEM YOUR STUFF?

385
00:21:18,445 --> 00:21:19,679
YOU WANT US TO DANCE?

386
00:21:19,779 --> 00:21:21,614
CLAIR,
WHAT'S GOING ON?

387
00:21:21,714 --> 00:21:22,449
I DON'T KNOW.

388
00:21:22,549 --> 00:21:23,783
I JUST GOT HERE.

389
00:21:24,250 --> 00:21:26,118
I JUST WANT TO SHOW THEM

390
00:21:26,218 --> 00:21:28,888
HOW THE OLD FOLKS
CAN DO IT.

391
00:21:28,988 --> 00:21:30,089
I LOVE COMING HERE.

392
00:21:30,189 --> 00:21:31,591
YOU NEVER KNOW
WHAT WILL HAPPEN.

393
00:21:32,291 --> 00:21:33,593
MAY I HAVE
THIS DANCE?

394
00:21:33,693 --> 00:21:36,863
(* be-bop on the stereo )

395
00:22:38,758 --> 00:22:40,259
I'LL SHOW YOU GUYS
SOME NEW STUFF, OKAY?

396
00:22:45,031 --> 00:22:46,332
WE'RE GOING TO
DOUBLE IT UP NOW.

397
00:22:47,434 --> 00:22:48,635
SHOW HER
HOW TO DO IT.

398
00:22:50,369 --> 00:22:51,638
I GOT SOMETHING
TO SHOW YOU.

399
00:22:52,338 --> 00:22:53,440
WATCH THIS:
THE OLD STUFF.

400
00:22:56,909 --> 00:22:57,777
KEEP KICKING, HONEY.

401
00:22:59,111 --> 00:23:00,580
ONE MORE
TIME.

402
00:23:00,980 --> 00:23:03,483
I FEEL LIKE

403
00:23:03,583 --> 00:23:04,551
I'M BACK IN
THE OLD DAYS.

404
00:23:05,017 --> 00:23:06,453
NOT TOO OLD.

405
00:23:07,119 --> 00:23:09,889
YOU THINK
YOU CAN LEARN THIS?

406
00:23:24,904 --> 00:23:25,572
LET IT GO!

407
00:24:00,873 --> 00:24:01,974
HEY.

408
00:24:07,647 --> 00:24:09,682
Captioning Made Possible By

409
00:24:09,782 --> 00:24:11,851
THE METROPOLITAN
LIFE INSURANCE COMPANY

410
00:24:11,951 --> 00:24:14,353
Captioned By
The Caption Center
WGBH Educational Foundation